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“This large-diaphragm condenser microphone was created using lessons learned from years of studio and stage use across the world with the C12, C12 A, C12 B, […]
"This large-diaphragm condenser microphone was created using lessons learned from years of studio and stage use across the world with the C12, C12 A, C12 B, C414 comb, C414 EB-P 48, C414 B-ULS, C414 B-TL II, and C414 B-XLII.
based on up-to-date, dependable components that allow for the integration of additional operations into the same area.
The microphone is situated in the same area and is of the greatest professional standards.
The microphone satisfies the strictest professional standards and can sustain extended, strenuous studio and live use.
The electronics of the microphone have been modified with an emphasis on exact linearity of all electrical transmission parameters."View websiteEnquire- Website
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“The Sub8 is a compact yet potent subwoofer made to increase any nearfield monitoring system’s low frequency capabilities down to 30Hz. It has a sturdy 1.5′′ […]
"The Sub8 is a compact yet potent subwoofer made to increase any nearfield monitoring system's low frequency capabilities down to 30Hz.
It has a sturdy 1.5′′ voice coil, 8.5′′ woofer, and 160W ICE power amplifier. Even during extended mix sessions, this amp can manage maximum power levels because to its low heat generation and outstanding performance.
Two motorized knobs on the front baffle allow you to adjust the input volume and crossover frequency. You may adjust these settings from your preferred listening position using the wireless remote control that comes with the system."View websiteEnquire- Website
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Powerful I/O, monitoring, and routing features in a single audio interface provide creative efficiency to your studio. By giving connections to all of your equipment, Pro […]
Powerful I/O, monitoring, and routing features in a single audio interface provide creative efficiency to your studio. By giving connections to all of your equipment, Pro Tools | MTRX Studio streamlines your signal flow. Any input can be directed to any output. Create custom monitor profiles with built-in speaker calibration. Make any space in your building Dolby Atmos-mixable. And while tracking and mixing with Pro Tools | HDX or HD Native, receive ultra-low latency monitoring.View websiteEnquire- Website
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“The 8801 provides Neve console sound in a practical 1U rackmount architecture, with the ease of Total RecallTM and digital conversion. It does this by combining […]
"The 8801 provides Neve console sound in a practical 1U rackmount architecture, with the ease of Total RecallTM and digital conversion. It does this by combining the famous Neve® mic preamplifier, strong EQ, and the outstanding 88R dynamics processor.
The 8801 microphone preamp delivers a high gain output and ideal tone across a range of sound sources thanks to an innovative Marinair® transformer.
The 8801 topology has a wide bandwidth/high output design, just like the 88RS. The primary output gain, which is managed by the rotary fader pot, has an extremely low noise floor and a maximum output of +26dBu. Before signals enter the DAW, this system, which also has switchable input & output 7-stage metering, is excellent for optimum gain staging."View websiteEnquire- Website
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The MKH 418 S is a Sennheiser-exclusive RF condenser M-S stereo shotgun microphone. It is well suited for any sort of application in cinema, radio, television, […]
The MKH 418 S is a Sennheiser-exclusive RF condenser M-S stereo shotgun microphone. It is well suited for any sort of application in cinema, radio, television, and reporting, whether indoors and outdoors, thanks to its M-S format, small size, excellent clarity, and superb spatial representation. It has a high sensitivity, very low noise, high SNR, interference tube system (capsule) that increases directivity, universal use owing to M-S format, and mono compatibility.View websiteEnquire- Website
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“This call station has a limiter, a speech filter, and configurable gain settings for better understanding even when the speaker moves in front of the microphone. […]
"This call station has a limiter, a speech filter, and configurable gain settings for better understanding even when the speaker moves in front of the microphone.
Using extension cables, the call station may be placed up to 500 m away from the amplifier and still produce a balanced line-level output. To this call station, the LBB 1925/10 may assign various priority levels as well as pre- and post-call chimes."View websiteEnquire- Website
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“The A7X it is one of the most well-rounded and adaptable speakers available right now. A 50 Watt A/B amplifier powers the tweeter, while a 100 Watt […]
"The A7X it is one of the most well-rounded and adaptable speakers available right now. A 50 Watt A/B amplifier powers the tweeter, while a 100 Watt PWM amplifier powers the bass/mid-woofer. With a seamless transition in the crossover from the 7′′ woofer, which operates in the region of 42 Hz to 2.5 kHz, towards the X-ART tweeter, this creates a particularly clean and delicate rendition of the intermediate frequencies.
The A7X is by far the most well-reviewed and honor-winning monitor in recent years due to its ability to faithfully represent every sonic element, no matter how minute, as well as its transparent sound picture, tonal depth, and stereo localisation, which inspire music producers."View websiteEnquire- Website
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All the components required to record an audio signal are present on the Channel Strip. The 512c Mic Preamplifier, known for its extra Mic, Line, or […]
All the components required to record an audio signal are present on the Channel Strip. The 512c Mic Preamplifier, known for its extra Mic, Line, or Instrument input switching, is where it all begins. The completely adjustable 527 multi-mode compressor comes next. Your track receives the "in-your-face" punch that has made the unique THRUST® circuit in the 527 an award-winning circuit thanks to its use. The 550A three-band Equalizer with its switchable frequencies and 12dB of boost or cut is also featured in The Channel Strip. It is arguably the most well-known and beloved API EQ of all time. The high and low frequency bands on the 550A may be independently altered to function as shelving EQs, and the "B.P. Filter" switch inserts a bandpass filter that ranges from 50Hz to 15KHz.View websiteEnquire- Website
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“A real legend, the Neumann U 87 Ai that o ver the past 50 years, it has influenced the sound of numerous recordings. To this day, a […]
"A real legend, the Neumann U 87 Ai that o ver the past 50 years, it has influenced the sound of numerous recordings. To this day, a Neumann U 87 Ai is a need for any professional recording studio.
The ideal big diaphragm condenser microphone is the U 87 Ai. Its unique headgrille design and tapering body have entered the collective unconscious. The same may be said about its sound. The U 87 Ai is the gold standard by which other microphones are judged; it stands for studio quality.
The U 87 Ai stands out for its distinctive blend of linearity and personality. Despite having an astonishingly flat on-axis frequency response, it has a certain allure. The sound is utterly fantastic!"View websiteEnquire- Website
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Any audio and video editing programs, such as Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and Premiere Pro, are fully controllable with the help of […]
Any audio and video editing programs, such as Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and Premiere Pro, are fully controllable with the help of Avid S1. It offers excellent ergonomic efficiency, simple touch workflows, and Avid S6-style metering and processing views, so you can mix more intuitively and produce better-sounding mixes quickly. These features work in conjunction with the free Avid Control software on your iPad or Android tablet.View websiteEnquire- Website
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For well over a decade, the Mackie Big Knob has been the standard monitor controller for studios all around the world. Additionally, the Big Knob Passive […]
For well over a decade, the Mackie Big Knob has been the standard monitor controller for studios all around the world. Additionally, the Big Knob Passive offers the most straightforward source and monitor switching along with the cleanest audio route conceivable with no active electronics in the signal path. Mute, Mono, and Dim buttons are grouped together to offer convenient, rapid control. The Mackie Big Knob Passive is constructed like a tank, which means that studios, streamers, and engineers can rely on reliable performance for many years to come.View websiteEnquire- Website
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The U47 has become the industry standard for microphones in top-tier recording studios all around the world because to its commanding mid-range and extended low frequency […]
The U47 has become the industry standard for microphones in top-tier recording studios all around the world because to its commanding mid-range and extended low frequency response.
A plug-and-play alternative to the highly rare VF14 vacuum tube, the TELEFUNKEN Elektroakustik reproduction of the U47 is electrically identical to the original circuit. The new production U47 also has quality electrolytic and polystyrene capacitors, precise film resistors, an American-made BV8 output transformer, a mylar M7 capsule, and premium electrolytic capacitors. The circuit's seeming simplicity belies the design's brilliant balance of all its components.
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